Free Download In Grand Style: Celebrations in Korean Art During the Joseon Dynasty
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In Grand Style: Celebrations in Korean Art During the Joseon Dynasty
Free Download In Grand Style: Celebrations in Korean Art During the Joseon Dynasty
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About the Author
Hyonjeong Kim Han is associate curator of Korean art at the Asian Art Museum, San Francisco. The Asian Art Museum is a public institution whose mission is to lead a diverse global audience in discovering the unique material, aesthetic, and intellectual achievements of Asian art and culture. It is one of the largest museums in the Western world devoted exclusively to Asian art.
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Product details
Hardcover: 266 pages
Publisher: Asian Art Museum; Original edition (January 7, 2014)
Language: English
ISBN-10: 9780939117673
ISBN-13: 978-0939117673
ASIN: 0939117673
Product Dimensions:
9.2 x 1.2 x 9.2 inches
Shipping Weight: 3.2 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#1,137,405 in Books (See Top 100 in Books)
As far as national success stories go, few countries can match the intellectual, political, and economic gains achieved by South Korea in recent decades, and one delightful consequence is a new spotlight being trained on Korea's rich artistic tradition. Thus, at roughly the same time that the Metropolitan Museum of Art published a catalogue on Silla Dynasty art, comes "In Grand Style: Celebrations in Korean Art during the Joseon Dynasty." In this instance, it is the Asian Art Museum in San Francisco, the first museum in the United States to have had a dedicated curator for Korean art, that has produced a study of exceptional beauty, admirable scholarship, and profitable collaboration among many museums and institutions, both Korean and American.The Joseon (aka Choson) Dynasty began in 1335 and ended quite abruptly and tragically in 1910, with the Japanese occupation of the Korean peninsula. By the time that this final chapter in Korean imperial history came to a close, a wide range of ceremonies, both public and personal, had taken root and a wide range of objects, costumes, and practices were used to observe them. This quite substantial catalogue does two things then, interpreting the objects associated with the ceremonies and presenting the art, largely painted, that documented the grandeur of the public ceremonies in particular. Four themes are developed not only with illustrations but also with essays. These are "To be a King in the Joseon Dynasty," "Royal Procession and Banquets," "Power of Women at the Court," and "Life and Celebrations of the Elite.""In Grand Style" will, quite obviously, appeal most to those intrigued by Korean history, but, as someone who has researched Japanese ceremonial traditions, I would recommend it as well for scholars of Japanese imperial culture. In addition, as a former intelligence analyst who toiled for decades to put into context the grandiosity and imperial pretensions of North Korea's leaders (Kim Il-song, Kim Jong-il, and now Kim Jong-un), I would urge all studying that secretive nation to use this book as a key to understanding its use of Confucian-style ceremony to assert political legitimacy.
good quality production, had wished for a little more art work, but well presented, excellent reproductions. well done. The more time I spend with this book, the more delighted I become
Beautiful book, felling lucky to find this rare item.
This book is an exhibition catalog. It has an excellent timeline diagram and beautiful color reproductions of art. It is not as comprehensive as I would prefer. I am always seeking large comprehensive art histories of entire cultures. These exhibition catalogues are more limited than that. A better choice is "Korean Arts of the Eighteenth Century: Splendor and Simplicity" Weatherhill and The Asia Society Galleries, 1993.
More so than I had hoped. History, periods, styles... It's a gorgeous book
Geographically located between China and Japan, Korea’s history and culture sometimes has difficulty attracting the attention it merits and remains in the shadows of the two larger declinations of Sinic civilization. This lavishly illustrated and well-argued catalog of the exhibition facilitates the exploration.Unique aspects of this fully neo-Confucian civilization are highlighted and put into proper context: in a world where order and precedence are given paramount role, visual records of events were established, thereby reinforcing the dynasty’s legitimacy. It was in a way a precursor form of facebook – but done with lavish means, and strictly for the elite. To my (scant) knowledge, no such systematic pictorial records are extant from China or Japan. As such, they are very interesting.The catalog has the great merit of going beyond the descriptive of the objects to dwell on core aspects of the culture of the Korean elite. Two facets seem to me worth underlining and reflecting upon.First is the life-time education a king underwent (pg. 36 ff.). Again, this to me is unique to Korea: a king is given lectures in Confucian values and the art of ruling three to five times a day throughout the whole of his reign. What we have here, is “collective leadership†in disguise, for the King submitted in practice every public action to the scrutiny of his teachers.The other is the role of power-women – the Dowager/mother Queens (pg. 134 ff.). Though notionally segregated, these queens did (as in many other cultures) wield power behind the throne. In particular, they were involved in the succession struggles, which, after all, were the most important discontinuities in the evolution of a dynasty.One aspect is missing – the foreign relations dimension. Korea after the Manchu invasion of 1636 recognized the suzerainty of the Qing empire (while being inwardly tied to the Ming). It is possible that no records were kept of the diplomatic exchanges with the Qing. In this case, the “hermit†attitude should have been made more explicit.
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