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Sabtu, 27 Februari 2010

Get Free Ebook Software Development Metrics

Get Free Ebook Software Development Metrics

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Software Development Metrics

Software Development Metrics


Software Development Metrics


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Software Development Metrics

About the Author

Dave Nicolette is an agile and lean organizational transformation consultant, team coach, and trainer and is heavily involved in the agile and lean software communities. He frequently presents at conferences and user groups.

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Product details

Paperback: 192 pages

Publisher: Manning Publications; 1 edition (August 6, 2015)

Language: English

ISBN-10: 1617291358

ISBN-13: 978-1617291357

Product Dimensions:

7.3 x 0.4 x 9.2 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#466,226 in Books (See Top 100 in Books)

This is a review of both Agile Metrics in Action and Software Development Metrics. Both book are from Manning and both were put out about a month or so apart. I am reviewing both, because both are good, but they are different approaches to getting you to the same place.First things first, both cover agile metrics. When I first saw the titles I thought that may be the differentiating factor, but that is not the case. The biggest difference in the books is the inclusion of tools to use in Agile Metrics in Action (AMA from here on), and Software Development Metrics (SDM from here on) does not.AMA says metrics have three functions, or effects: Informational Diagnostic MotivationalBoth books identify different metrics for different parts of the SDLC. SDM use three primary factors -Development approach Traditional AdaptiveProcess model Linear Iterative Time-boxed Continuous flowDelivery mode Discrete projects Ongoing or continuousAs you can see by how the SDM book breaks metrics down the author covers more that just the traditional time-boxed agile model. Did I just say 'traditional' time-box agile model. I am afraid so. It seems to be the de facto default these days. I watch 4-5 stand ups a day now. Too bad that is the only thing about those projects that is agile. Anyway, no soapboxing...SDM presents the metrics in a pattern like format. Each metric also includes anti-patterns of the metric, showing common mistakes with the metrics.AMA focuses on groups of systems used to deliver software and targets them for metrics- project tracking, source control, continuous integration, deployment tools, and application monitoring. The author also uses software packages throughout the book for each area - JIRA project tracking, GitHub for source control, Jenkins for continuous integration and deployment tools, and New Relic and Elasticsearch/Logstash/Kibana (ELK) for application monitoring.In AMA the goal is to provide feedback loop of information to help you improve your process as you go. The feedback loop is Collect, Measure, React, and Repeat.Both books decide which metrics to use and data to go after by asking questions throughout the SDLC about your goals and how successful you are at meeting them.Both books also cover metrics for measuring your software and code's quality. SDM only provides Static code-analysis metrics as on the metrics in the book. SDM probably should have been named "Software Development Lifecycle Metrics" not "Software Development Metrics". The single metric about code quality was not thorough enough. The metrics in SDM are all about the lifecycle. That is not a bad thing, I just want to point that out.AMA measures the quality of your software using quality attributes (non-functional requirements or "ilities"). This was actually my favorite chapter in AMA. I thought the author did an awesome job of breaking quality attributes down into different metrics to make them measurable.The only thing about AMA is that I won't use most of the tools mentioned it. I use TFS, Git, Team Foundation Build, Jenkins, Instruments, Xcode, Android Studio, Visual Studio Online, Visual Studio and TFS testing tools. Not that it matters. I liked that the author used the different tools so you could see the metrics visually represented in the different tools.Over all both books were good. If you want the bare-bones breakdown of the metric and how to use it and not use it, you can go with SDM. If you want to see more of a real world application of the metrics, I'd go with AMA.

This book covers the metrics on software development processes. It makes a relevant effort to explain each metric in detail. It is easy to understand and the graphic material (diagrams, charts, etc) is great.Beyond of the expected stuff (definitions, context and so on) I would highlight the availability of one model to identify/support the proper metrics in every project. Together with the metrics catalog in the book located under two major sections (metrics for steering and metrics for improvement) I would also highlight the rest of content where the author put all metrics to work.The author also introduces each metric with a short template where you can find all relevant information about the metric. It is very useful to know/identify the metric you are looking for quickly.I would say the author does a great job explaining the real goals of one metric. He helps to identify patterns and anti-patterns while covering use cases closed to the real world.In summary, I found an updated and fresh reference to metrics in this book. It is a great book on this topic.

Easy to understand. Love it.

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Jumat, 05 Februari 2010

Free Download In Grand Style: Celebrations in Korean Art During the Joseon Dynasty

Free Download In Grand Style: Celebrations in Korean Art During the Joseon Dynasty

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In Grand Style: Celebrations in Korean Art During the Joseon Dynasty

In Grand Style: Celebrations in Korean Art During the Joseon Dynasty


In Grand Style: Celebrations in Korean Art During the Joseon Dynasty


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In Grand Style: Celebrations in Korean Art During the Joseon Dynasty

About the Author

Hyonjeong Kim Han is associate curator of Korean art at the Asian Art Museum, San Francisco. The Asian Art Museum is a public institution whose mission is to lead a diverse global audience in discovering the unique material, aesthetic, and intellectual achievements of Asian art and culture. It is one of the largest museums in the Western world devoted exclusively to Asian art.

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Product details

Hardcover: 266 pages

Publisher: Asian Art Museum; Original edition (January 7, 2014)

Language: English

ISBN-10: 9780939117673

ISBN-13: 978-0939117673

ASIN: 0939117673

Product Dimensions:

9.2 x 1.2 x 9.2 inches

Shipping Weight: 3.2 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#1,137,405 in Books (See Top 100 in Books)

As far as national success stories go, few countries can match the intellectual, political, and economic gains achieved by South Korea in recent decades, and one delightful consequence is a new spotlight being trained on Korea's rich artistic tradition. Thus, at roughly the same time that the Metropolitan Museum of Art published a catalogue on Silla Dynasty art, comes "In Grand Style: Celebrations in Korean Art during the Joseon Dynasty." In this instance, it is the Asian Art Museum in San Francisco, the first museum in the United States to have had a dedicated curator for Korean art, that has produced a study of exceptional beauty, admirable scholarship, and profitable collaboration among many museums and institutions, both Korean and American.The Joseon (aka Choson) Dynasty began in 1335 and ended quite abruptly and tragically in 1910, with the Japanese occupation of the Korean peninsula. By the time that this final chapter in Korean imperial history came to a close, a wide range of ceremonies, both public and personal, had taken root and a wide range of objects, costumes, and practices were used to observe them. This quite substantial catalogue does two things then, interpreting the objects associated with the ceremonies and presenting the art, largely painted, that documented the grandeur of the public ceremonies in particular. Four themes are developed not only with illustrations but also with essays. These are "To be a King in the Joseon Dynasty," "Royal Procession and Banquets," "Power of Women at the Court," and "Life and Celebrations of the Elite.""In Grand Style" will, quite obviously, appeal most to those intrigued by Korean history, but, as someone who has researched Japanese ceremonial traditions, I would recommend it as well for scholars of Japanese imperial culture. In addition, as a former intelligence analyst who toiled for decades to put into context the grandiosity and imperial pretensions of North Korea's leaders (Kim Il-song, Kim Jong-il, and now Kim Jong-un), I would urge all studying that secretive nation to use this book as a key to understanding its use of Confucian-style ceremony to assert political legitimacy.

good quality production, had wished for a little more art work, but well presented, excellent reproductions. well done. The more time I spend with this book, the more delighted I become

Beautiful book, felling lucky to find this rare item.

This book is an exhibition catalog. It has an excellent timeline diagram and beautiful color reproductions of art. It is not as comprehensive as I would prefer. I am always seeking large comprehensive art histories of entire cultures. These exhibition catalogues are more limited than that. A better choice is "Korean Arts of the Eighteenth Century: Splendor and Simplicity" Weatherhill and The Asia Society Galleries, 1993.

More so than I had hoped. History, periods, styles... It's a gorgeous book

Geographically located between China and Japan, Korea’s history and culture sometimes has difficulty attracting the attention it merits and remains in the shadows of the two larger declinations of Sinic civilization. This lavishly illustrated and well-argued catalog of the exhibition facilitates the exploration.Unique aspects of this fully neo-Confucian civilization are highlighted and put into proper context: in a world where order and precedence are given paramount role, visual records of events were established, thereby reinforcing the dynasty’s legitimacy. It was in a way a precursor form of facebook – but done with lavish means, and strictly for the elite. To my (scant) knowledge, no such systematic pictorial records are extant from China or Japan. As such, they are very interesting.The catalog has the great merit of going beyond the descriptive of the objects to dwell on core aspects of the culture of the Korean elite. Two facets seem to me worth underlining and reflecting upon.First is the life-time education a king underwent (pg. 36 ff.). Again, this to me is unique to Korea: a king is given lectures in Confucian values and the art of ruling three to five times a day throughout the whole of his reign. What we have here, is “collective leadership” in disguise, for the King submitted in practice every public action to the scrutiny of his teachers.The other is the role of power-women – the Dowager/mother Queens (pg. 134 ff.). Though notionally segregated, these queens did (as in many other cultures) wield power behind the throne. In particular, they were involved in the succession struggles, which, after all, were the most important discontinuities in the evolution of a dynasty.One aspect is missing – the foreign relations dimension. Korea after the Manchu invasion of 1636 recognized the suzerainty of the Qing empire (while being inwardly tied to the Ming). It is possible that no records were kept of the diplomatic exchanges with the Qing. In this case, the “hermit” attitude should have been made more explicit.

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